The Anti-Hero in the American Novel: From Joseph Heller to Kurt Vonnegut. The Conflict of Interpretations: Essays in Hermeneutics. The Novels of Kurt Vonnegut: Imagining Being an American. The title of the book is taken from Goethes Faust (and. “Evolutionary Mythology in the Writings of Kurt Vonnegut, Jr.” Critique 46.4 (2005): 383–96. Mother Night is a novel by American author Kurt Vonnegut, first published in February 1962. “‘Who Am I This Time?’ Kurt Vonnegut and the Film Mother Night.” Literature/Film Quarterly 31.3 (2003): 231–36. “Vonnegut the Essayist.” At Millennium’s End: New Essays on the Work of Kurt Vonnegut. “Mother Night, Cat’s Cradle, and the Crimes of Our Times.” Critical Essays on Kurt Vonnegut. The Comedian as Confidence Man: Studies in Irony Fatigue. “Narrative, Self, and Morality in the Writing of Kurt Vonnegut.” At Millennium’s End: New Essays on the Work of Kurt Vonnegut.
Kurt Vonnegut’s Crusade or, How a Postmodern Harlequin Preached a New Kind of Humanism. “Evil in the Value-System of Art.” Geist and Zeitgeist: The Spiritual in an Unspiritual Age. New York: State U of New York P, 2001.īroch, Hermann.
This is her son Jack, A plain-looking lad, He is not very good, Nor yet very bad. Mother Goose had a house, 'Twas built in a wood, Where an owl at the door For sentinel stood. At Millennium’s End: New Essays on the Work of Kurt Vonnegut. OLD Mother Goose, when She wanted to wander, Would ride through the air On a very fine gander. London: Faber, 1963.īoon, Kevin Alexander, ed. Eichmann in Jerusalem: A Report of the Banality of Evil. This process is experimental and the keywords may be updated as the learning algorithm improves.Īrendt, Hannah. These keywords were added by machine and not by the authors. The night Max wore his wolf suit and made mischief of one kind.
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The narrative purports to be the confessions written by him while awaiting trial in Israel, evoking a haunting yet elusive concept of evil that permeates the narrative and one’s sense of its protagonist. The story tells of the odyssey of Howard Campbell, Jr., the books protagonist, and is a paradigm of shifting loyalties, ambiguous commitment, and tales of. During World War II, Campbell had broadcast for the Nazi regime on German radio to an international audience, offering numerous racist invectives as part of his propaganda. Vonnegut’s narrative focuses on a potential war criminal, Howard W. As a small part of that process, this essay deploys various theoretical-conceptual and critical sources to analyze Mother Night (1961), published as a paperback original almost forty-eight years ago, which as Jerome Klinkowitz explains in “Vonnegut the Essayist,” was part of the author’s effort as a jobbing writer “to make money when the family weeklies reduced their story acquisitions” (4). The recent, much lamented death of Kurt Vonnegut, an iconic American author celebrated throughout the world, ought to have initiated a broad reconsideration of his life and work.
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